Showing posts with label how to. Show all posts
Showing posts with label how to. Show all posts

Vlog: How to Be a Good CP

You asked, I answered! Today I'm talking about how to be a good critique partner to your critique partners.


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What tips would you add to the list? 

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What are some ways to be a good critique partner? @Ava_Jae breaks it down in today's vlog. (Click to tweet)

How to Use Isolation with Revisions

Photo credit: https://toolstotal.com/
Once upon a time, back in 2015, I got editorial feedback from my critique partners and was—shall we say—a little overwhelmed with just how much work I had ahead of me. So I sat down and started my journey of revision refinement, in which I tweaked the way I revise my manuscripts, until now, three years later, it's become an expected part of my revision process. 

I've been thinking about that again while processing the editorial letter for The Rising Gold.

I still revise in passes. And while I do sometimes still draw up my categories the way I did three years ago whenever the occasion calls for it (by character, plot, world building, etc.) I now also go even more deeply than that and tackle things issue by issue.

That is, I look at whatever problem I need to fix, then go through the manuscript and only fix that problem, in however many scenes require altering, and I don't fix anything else until I've finished addressing whatever problem I'm isolating.

The issues I use this method on, of course, are larger-scale issues. Inconsistent characterization, or a large plot problem, or a gap in world building—something along those lines. And it works well with the way my brain works—I like to be able to focus on one thing at a time, and this forces me to do exactly that.

Then, when I'm done fixing one problem, I take a deep breath, smile, and move on to the next problem.

How do you tackle large-scale revisions?

Twitter-sized bite:
How do you tackle large-scale revisions? @Ava_Jae shares their isolation method to avoid overwhelm. (Click to tweet)

Vlog: How to Write Memorable Kiss Scenes

How do you write a YA kiss scene that's memorable for all the right reasons? Today I'm talking about some key things to remember while your characters smoosh their faces together.



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What tips do you have for writing kiss scenes?

Twitter-sized bite:
How do you write a YA kiss scene that's memorable for all the right reasons? @Ava_Jae shares their tips. (Click to tweet)

Vlog: How to Keep Track of WIP Timelines

Keeping track of timelines in a project as big as a novel can be confusing, harrowing—and sometimes painful. Today I talk about the lessons I've learned the hard way and how I avoid major timeline mess ups while first drafting.


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Do you keep track of your timeline while first drafting?

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How do you keep track of your WIP's timeline? @Ava_Jae vlogs some tips. (Click to tweet)

How to Juggle Multiple Deadlines

Photo credit: The Lowry, Salford on Flickr
Writing deadlines are hard, and writing deadlines when you have more than one, and when writing deadlines aren't the only deadlines you have, and when writing isn't the only thing you do, is even harder.

I've been thinking a lot about that as I juggle my writing with my responsibilities, new and old.

Writing-wise, I currently have three projects I'm tossing around, two with deadlines (one self-imposed, one not), and a third that really wants my attention but has to sit and wait. On top of that are my freelance editing projects, my social media commitments, my part-time job, and grad school. And even before I've started doing all of those things at once—though I will have started by the time this publishes—I've already been thinking a lot about how to prioritize to make sure things get done.

For me, it starts with recognizing hard deadlines vs soft deadlines. Hard deadlines are deadlines I can't move—deadlines in contracts (both writing and freelance) or homework, for example. Hard deadlines I usually get plenty of advance notice on, so when I initially get them I sit down and do some math to figure out how much work I have to do every day in order to finish on time. And then I build in a few extra days, for days when things don't go as planned.

Conversely, soft deadlines are usually self-imposed deadlines. They're goalposts, rather than something someone else is waiting on—or, they're sometimes a hard deadline date with the wiggle room built in. So, if I've committed to finishing a project on the 31st, I'll usually math out so I finish on the 29th, so the 29th is my soft deadline that can be moved if needed, and the 31st is my hard deadline.

Once I've established all I need to do every day for each of my commitments, I prioritize within the day. My to-do list nowadays typically looks like this:
  • errands
  • writing/revision work
  • freelance work
  • grad school reading/work
  • social media work
Within my grad school reading, I like it split it up between boring reading and fun reading. The boring reading I try to get out of the way first, and then the fun reading I know I can spread out throughout the day, even up until my bedtime reading. Social media work often gets priority unless I can push it off a day without consequence—but I try not to do that too much because I usually have plenty to do the next day too. Freelance work and writing work I generally prioritize the most, because the later in the day it gets, the less energy I have to do it—but those two categories frequently have the most hard deadlines, so I have to get them done. Then errands of course get prioritized and scheduled by how urgent they are.

By splitting up my tasks into bite-sized pieces and prioritizing them from most important to least, it allows me to get high-priority items done even when I have a lot going on while leaving some flexibility for overflow tasks that I can get done on a catch up day. 

It's not a perfect system, but it definitely helps. And it's very necessary, for me at least, to keep track of all I need to do. 

Do you prioritize your daily tasks? 

Twitter-sized bite: 
How do you juggle multiple responsibilities with writing? @Ava_Jae shares a few tips. (Click to tweet

Vlog: How to Move Affordably with Lots of Books

Moving is expensive and moving when you have a lot of books, even more so. So today I'm sharing how I moved with over 100 books without breaking the bank. 


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Have you ever moved with a sizable library? 

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Getting ready for a big move & not sure how to affordably transport your library? @Ava_Jae shares how they did it. (Click to tweet)

How to Translate the Story in Your Head Into Words on the Page

Photo credit: Victoria Nevland on Flickr
The first step is understanding this is going to be a long process—and the end result may still look different than what you're picturing right now, and that's okay.

Next is understanding you'll never get that book you're imagining onto the page if you don't throw words on the page. And look, during that first draft, the words are not going to line up perfectly to that story you're imagining. A lot of times, the words are going to look pretty unrecognizable compared to what you want the end result to look like.

But the thing is, that's okay. The first draft, in many cases, is going to look like a steaming pile of garbage when you try to compare it to the masterpiece you imagined. Or at the very least it'll look like a pile of rubble you have to somehow sift through and rebuild before it'll start looking like the end result you want.

But again, that's to be expected. As I frequently remind myself, you can't edit a blank page. So fill those pages with words.

Once you've finished the first draft, it'll be time to take a break. How long is up to you—I like to take a month when I can, and even better if I can fill that month with other words—whether from another project, or from books. The goal is to remember as little as possible when you return to the manuscript, because the less you remember, the fresher it'll feel, and the fresher it'll feel, the easier it'll be to see the flaws.

Which, yeah, is the next step. Eventually time will come to pick up your manuscript and read it critically. This is the moment when you're going to see just how far the distance is from the book in your head to the book currently on the page. And it means paying attention to that distance and taking note of all the things you need to do to bring your manuscript closer to what you wanted it to be.

But more than that—it means being open to ways you could make it better than what you originally planned, too. Maybe the story took a turn you weren't expecting, or a character demanded more spotlight than your original plan. Maybe you have some potential possibilities you could expand on that would support your story and make it bigger—don't be afraid to go for those too. Sometimes big changes you weren't expecting are the best thing for the manuscript.

You'll have to revise on your own and decide what changes to go with. You'll have to put a lot of time and effort and emotion and know at the end, when you're tired and the manuscript is looking better—you're nowhere near done.

Because eventually will come time to work with others. Critique partners. Agents. Editors. And they'll all introduce ideas and possibilities you hadn't thought of. Some of them will bring them closer to the book you originally imagined. Some of them won't—but the different end point will be even better than you imagined. Be open to those ideas, and consider them carefully as you decide what to go with and what to ignore.

Writing a book is an evolutionary process. Very rarely do I end up with a final manuscript that looks exactly like I originally imagined—it's pretty near always better. Because by challenging myself to push harder, to explore that character and plot thread, to try something risky I hadn't originally imagined, I can build on the story in ways I hadn't imagined when I first got that story idea.

Eventually, you'll translate the story in your head into words on the page. And the story won't be the same, not really. But that's a good thing.

Have you ever experienced the evolution of story? 

Twitter-sized bites:
How do you translate the story in your head into words on the page? @Ava_Jae shares some thoughts. (Click to tweet)

Vlog: How to Choose Tense & Perspective

Choosing tense (past, present) and perspective (first, third) can be pretty tricky and varies manuscript to manuscript. Many of you have asked how to choose, so today I'm answering—or at least, answering how *I* choose.


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How do you choose tense and perspective of a WIP?

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Past or present tense? First or third person? How do you pick? @Ava_Jae vlogs on choosing tense & perspective. (Click to tweet)

Vlog: How to Break Through Writers' Block

Ahh, the dreaded writers' block. We all hit a point at some time or another where the writing just isn't flowing anymore—but what can you do to break through it? Today I'm sharing my block-busting tips.


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How do you break through writers' block?

Twitter-sized bites:
Struggling with writers' block? @Ava_Jae vlogs some tips for getting through the dreaded slog. (Click to tweet
How do you break through writers' block? Join the discussion on @Ava_Jae's blog. #vlog (Click to tweet)

Guest Vlog: How to Make Writer Friends with Lily Meade

Networking can seem a little intimidating at first—but really, it's about making great writerly friends. The lovely Lily Meade is here today to talk about how to make friends with other writers.


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How do you make writer friends?

Twitter-sized bite:
Want to make some writer friends but not sure where to start? @LilyMeade shares some tips on @Ava_Jae's YT channel. (Click to tweet)

Vlog: How to Kill Your Characters

Last week I talked about writing fights and someone asked about the somewhat inevitable: killing your characters. So today I'm talking about how to off your characters effectively.


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What tips do you have for killing characters?

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Is your character death falling flat? @Ava_Jae vlogs some tips on killing your characters effectively. #writetip (Click to tweet)

Vlog: How to Write Fights

By request! I love writing fight scenes and have written more of them than I can remember. So today I'm sharing some quick dos, don'ts, and things to remember while writing your characters beating each other up.


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What tips do you have for writing fight scenes? 

Twitter-sized bite: 
Struggling to get that fight scene in your WIP right? @Ava_Jae vlogs some tips. (Click to tweet)

Vlog: How to Write an Elevator Pitch

Last week I mentioned how helpful it is to memorize your elevator pitch, which many of you seemed interested in doing. So this week I'm talking about how to write those elevator pitches.





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Have you ever written an elevator pitch? 

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Struggling to get your elevator pitch down? @Ava_Jae vlogs some tips. #pubtip (Click to tweet)

How to Build an Online Platform: YouTube

Photo credit: clasesdeperiodismo on Flickr
So wayyyyy back in 2014 I started an online platform series. I covered Twitter, blogging, and tumblr, then decided I'd wait until I had more experience with YouTube before I talked about that avenue. 

I just recently crossed the 10,000 subscriber mark on my YouTube channel, bookishpixie, (which is a bigger following than any of my other social media sites, which is somewhat surprising because it's nowhere near the oldest of my social media accounts)—and it's honestly the most active community base I have, which has translated to a surprising (or maybe not surprising?) amount of book sales and editing clients. I guess you could say I have more experience now. So let's talk YouTube.

YouTube birthday: May 6, 2014 (nearly three years!) 
Subscribers: 10,315 (as of this writing)
Total views: 446,511 (as of this writing)
Time spent weekly: Roughly two hours. 

 Tips: 

  • Try to make your videos looks as professional as possible. This means getting a decent camera that can record in HD (which nowadays doesn't require anything super expensive), paying attention to lighting and sound, and learning how to edit videos. I'm somewhat lucky in the sense that I have an Associates in Digital Media/Film and did a year of a film-focused degree at an art college, so I have plenty of experience learning how to work cameras (and their manual settings), how to light a scene, and how to edit video. Not everyone has that obviously, but the good news is a lot of it is common sense and is pretty easy to learn. I want to one day upgrade my camera to a DSLR and get lighting equipment when I have more of disposable income, but I've made do with a relatively cheap camera and using just natural light and room lighting along with my camera's exposure settings to get mostly decent shots.

  • Figure out a script style that works for you. Some people like to write out an entire script, others prefer bullets. I'm more a bullet person, and I try not to write more than a sentence or two per bullet. I like using bullet points because it keeps my vlogs flexible and sounding more casual—and also I don't trip up on the exact wording that way, which helps a lot. (I also use the same technique for public speaking.) The exact method you use matters less than figuring out a method that works for you.

  • Like literally every other social media channel, the biggest key is to post consistently. I’ve already written a whole post about why posting consistently is so important, so I’m not going to get into that again. But the main benefit to YouTubers is by posting consistently, you’re allowing your viewers to get into the habit of checking/visiting your blog on a regular basis. For me, that means every Tuesday. Whether that’s weekly, bi-weekly, several times a week or monthly is up to you, but no matter what, consistency is key.

  • Similarly, your content should be somewhat consistent, too. For me this means I vlog about books, writing, and publishing, with few exceptions. It also means I try to keep my vlogs under four minutes whenever possible—because that's what I've always done and it's what my viewers expect from me now. And many of them have said they appreciate the brevity (and to be honest, so do I—it's a lot easier to edit and caption a short vlog than a long one!). 

  • Cross-posting. Cross-posting is helpful for just about every social media avenue, whether it's blogging, reviewing, Instagramming, etc. YouTube is no exception—I cross-post to Twitter, my blog, Facebook, and tumblr. Most of my traffic still comes from YouTube natively (which is great!) but cross-posting definitely helps get the word out.

  • Answer the (serious) comments. Yes, I've mentioned this for other social media sites, and yes it applies to YouTube, too. The different thing about YouTube is viewers are pretty used to being ignored in the comments, so when you do respond, they take note and kind of love it. But obviously you can ignore and report/block jerk comments because those happen from time to time. The comments on my YouTube channel are the most active of any of my social media sites—not only do viewers ask questions and comment on the vlogs, but they respond to each other, too. As a bonus, I've gotten a lot of great vlog ideas from questions and suggestions people have made in the comments, so really, it's a win-win. 

Have you ever considered starting a YouTube channel?

Twitter-sized bites:
Looking to build a YouTube channel? @Ava_Jae shares her experience and a few tips. (Click to tweet
"Find a script style that works for you," and other YouTube channel building tips from @Ava_Jae. (Click to tweet)

Vlog: How to Manipulate Pace

You asked, I answered. Today I'm talking about how to manipulate the pace in your manuscripts.


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What other tips would you add for manipulating pace in a WIP?

Twitter-sized bite: 
Struggling to get your WIP's pacing right? @Ava_Jae vlogs some tips for manipulating pace in your manuscript. (Click to tweet)

How to Wake Up Early and Be Productive

Photo credit: Richard Ricciardi on Flickr
It's 6:54 AM as I type this, and I've already done the following:

  • Brushed my teeth and put on my contacts
  • Let the dog out
  • RTed stuff on Twitter (probably too much ¯\_(ツ)_/¯)
  • Answered a potential client e-mail and did the math required for it
  • Looked at my To-Do list for the day
  • Re-arranged my blog post schedule a bit
  • Started writing this post

I wrote a while back about how I became a morning person, which is a strategy that, two years later, has continued to work well for me. While I don't always get up quite as early as I used to (I average around 5:30 AM now instead of 5:15 AM), I do want to push that back again so I'll probably start doing that soon. Nevertheless, as I've gotten to know myself and the progression of my disease has carried on, I've found that my trend of having more energy and motivation in the morning to be productive than I do in the afternoon—especially because when my disease flares it usually happens later in the day—has continued.

Some days, though, I still struggle to drag myself out of bed.

So maybe, like me, you want to try this morning thing to see if it helps you get more writing done. I think that's awesome and commendable and not just because I do it—changing your schedule around and pushing yourself to do something not-so-fun (getting up early) not because you have to but because self-discipline is pretty awesome.

How do you do it then? Well, there are a few keys and tips I've picked up over time:

  1. Go to bed early. I put this first because honestly, this is the most important part. I always try to make sure I get between 7-8 hours of sleep, which means if I plan to get up at 5:15 AM, then I go to bed at 9:15 PM. This right here is the easiest way to self-sabotage because going to bed early can be hard sometimes. But if you really want to get serious about waking up early to be productive, then you need to make sure you get however many hours of sleep you need every night.

  2. Make it a habit. The only way to do this, of course, is to be consistent. This means going to bed early and waking up early every day—yes, even on the weekends. The only way to reset your sleep schedule to get used to your new sleeping pattern is to do it every single day. If you only do it during the weekdays then stay up late and wake up late on the weekends, your body will never get used to the sleep schedule and you'll be tired and cranky every time you wake up. And that's not fun or productive.

    I've made my habit so concrete that some nights when I make an exception and stay up...I still wake up at 5:30 AM. It's not really a bad thing—it means my body has gotten very used to waking up early, which helps me most days, but it is a thing that sometimes happens. 

  3. Don't look at your phone notifications when you wake up. I started making this mistake last year and it was a huge mistake. I can't tell you how many times I woke up at 5:30 then spent an hour—an hour!—in bed scrolling through my Twitter. That was an hour I could have been getting to work. Oops.

    I've reigned that in again with the strict rule of not looking at my notifications until after I've gotten out of bed, put on my contacts, and brushed my teeth. Even though I do tend to do some RTing when I get to my computer, it's still made an enormous difference because I get to my computer a lot sooner than I did when I was lying in bed on my phone. 

  4. Remember the whole reason you're getting up early is to be productive. While I won't say don't use social media at all until after you've been productive (if only because that would be hypocritical since I don't do that and even maybe checked a Twitter notification while writing this point), reminding yourself why you're awake early in the first place can help you limit that time so you can get to work. Or at least, it helps me. 

  5. Put away the social media while you're working. I still have Twitter access on my phone, of course, but it's incredible the difference in my work output when I close Twitter on my web browser while I'm working. Something about not having a constant reminder of Twitter notifications I haven't yet checked allows me to ignore it for longer stretches of time—and get more work done as a result.

With those steps I've allowed myself to continue getting up before the sun for two years—and reigned myself in when I started making productivity-killing mistakes. If getting up early to get the words in is something you want to try too, I hope these tips help settle you into the early bird life. It's a pretty nice one, if I do say so myself.

Do you (or would you consider) get(ting) up early to be productive?

Twitter-sized bite:
Want to try getting up early to be productive? @Ava_Jae shares some tips. (Click to tweet)

How to Write a Synopsis

Photo credit: Rsms on Flickr
So this blog is turning six years old this year, and I've realized all this time I've managed to avoid writing a post on how to write a synopsis. Sure, I wrote a joke post about writing a synopsis, which was really more like agonizing over writing a synopsis, and I wrote about a new thing I've been doing that's saved me a lot of pain, namely, writing the synopsis before writing the first draft, but there are still times when you and I will have to write synopses for manuscripts we've already written, and, well. It's not easy.

I'd be remiss if I talked about synopsis writing without pointing you to Susan Dennard's excellent post on writing a one-page synopsis, which I reference when writing my own post-manuscript synopses. I'm not going to reiterate everything she says, and there are a lot of important points in there, so take the time to look it over.

But let's say you know the basics about putting down the main plot points and making sure you cover all the important events from beginning to end (yes, that means giving away the end) and you're still struggling. Because condensing your book into a synopsis? Is really hard.

The way I usually go about it when I have to write a synopsis after writing the full manuscript, is to not worry about the length at first. I go through and explain the major plot points, trying to keep each point no more than a sentence or two. If you're a plotter like I am, it helps to have your outline out next to you while you do this—both because chances are likely you already condensed the main plot points into a sentence or two for your outline, and because it's easier to decide what's vital to mention and what isn't when you have the whole outline in front of you.

Then I write. I cover the main conflict and plot, the important plot twists, briefly mention any romantic entanglements when relevant (although, if it's not a huge part of the plot, then I gloss over that), and make sure the core of the story is explained.

When I reach the end of this initial synopsis, it's usually way too long—like, eight to fifteen pages when it should really be no more than three or so. But that's okay; for me, at least, it's much easier to cut than it is to add, which brings me to my next step: condensing.

This is also a good time to make sure you've formatted your synopsis correctly. A synopsis should be single-spaced, Times New Roman point 12, regular margins, etc. I mention this now because in the past I've accidentally had the wrong font, done a bunch of work condensing, thought I was done—then realized the font was wrong and when I changed it still had half a page left to cut. So to save you that agony, make sure you've formatted correctly from the beginning.

Back to condensing! So this is where you need to ask yourself what is vital to cover and what isn't. Oftentimes, when you think about it, you'll find you've mentioned scenes you could breeze over with half a sentence or cut altogether, so that's the first area you'll want to cut. Once you've gone through and made sure every scene you mention is absolutely vital to understanding the plot, you'll then want to take a look at your word choice.

Ask yourself if that scene you described in three sentences could be described in one, or if you could mash those two scenes together into the same sentence. Then when you're done with that, it'll be time to condense your language. For a list of words and phrases to look out for, check out my two line editing posts, How to Condense Without Losing Anything Useful and How to Make Cuts Without Losing Anything Useful.

In the end, how long should your synopsis be? I aim for one to three pages, generally, but guidelines vary situation to situation and agent to agent. If you're querying, it's a good idea to have a one page synopsis and a two-or-three page synopsis ready, because a lot of it comes down to preference. There are situations where longer synopses are okay, too (especially if your manuscript is super long), but in general, shorter is better.

With all those steps in mind, the synopsis is yours to master. Here's hoping you won't have to do another one for a while. ;)

How do you tackle writing a synopsis? 

Twitter-sized bite:
Struggling to condense your manuscript into a synopsis? @Ava_Jae shares some tips for this dreaded step. (Click to tweet)

Vlog: How Do You Know When You're Done Revising?

You asked, I answered. Today I'm talking about how to know when you're done revising your manuscript.


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How do you know when you're done revising?

Twitter-sized bites: 
How do you know when you're done revising? Join the discussion on @Ava_Jae's blog. #vlog (Click to tweet
Not sure when to declare your WIP done? @Ava_Jae vlogs on how to know you're done revising. (Click to tweet)

How to Figure Out What Works For You

Photo credit: saschapohflepp on Flickr
The thing about dispensing writing advice is intentional or not, it's easy for people to think your tips are less tips and more rules. The "write every day" mantra, for example, is sometimes misunderstood as you must write every day or you're not a real writer—which is completely inaccurate and can even be damaging when people try to force themselves to do something that doesn't work for them and/or think they're failures when they can't.

This is why I try to make it clear whenever I share a new strategy or tool that while this particular thing works for me, your mileage may vary. But even with that, sometimes it can be difficult to look at a post with advice that sounds great and know whether or not it'll actually be a good fit for you.

So how do you know? Over the years, I've found the biggest key to growth is to be open to trying new things—and give yourself permission not to feel bad if it doesn't work out. My pre-draft synopsis method which I've found works well with my plotting process and as a bonus cuts out the dreaded post-draft condensing synopsis out came from experimenting with it after I heard another writer mention they use pre-drafts synopses online. Scrivener, which I now swear by as my favorite plotting and early draft tool, also came from online recommendations I decided to try out—twice, because the first time I didn't get it. Everything from my early morning habits, to my exercise routine, to so many of the writing strategies and methods I've picked up over the years came from a willingness to experiment with different methods to see what sticks.

Of course, there are also plenty of strategies I've tossed aside because they didn't work well for me. Writing everyday is a big one—the only time I write everyday is when I'm first drafting, and even then I take a day of the week off. Pre-writing—writing before you start your first draft work to "warm up" your writing muscles—was something I experimented with, then abandoned, because I didn't get enough benefits to merit the extra time it took to pre-write. Bullet journals are really popular right now, and while I like the idea, until there's a digital version it wouldn't be a good fit for me because handwriting and drawing is physically painful for me, at least right now.

The thing to remember is every writer is an individual. No matter how many people swear by a certain writing tip, or how influential or popular or successful the person giving the tip is, it might not work for you and that's okay. There are very few rules in the writing world that are entirely unbreakable (or unignorable), but the only way to really determine whether or not will jive with your writing style is to give it a shot.

So what are you waiting for?

What writing tips, strategies, or tools have you tried out that did and didn't work for you?

Twitter-sized bites:
No writing strategy is for everyone—but how do you know what'll work for you? @Ava_Jae shares some thoughts. (Click to tweet
What writing tips or tools have you tried out that did/didn't work for you? Join the discussion on @Ava_Jae's blog. (Click to tweet)

Vlog: How to Choose POV Characters

Choosing POV characters can be tough, especially if you're not sure how many POVs to use. So today I'm sharing some tips to keep in mind when deciding which characters will tell your story.


RELATED LINKS:


How do you choose POV characters? 

Twitter-sized bite:
Struggling to decide what character(s) should narrate your WIP? @Ava_Jae vlogs tips on choosing POV characters. (Click to tweet)
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