Book Review: LAST SEEN LEAVING by Caleb Roehrig

Photo credit: Goodreads

I love Thrillers. Back in the day when I read mostly Adult novels, probably 80% of the books I picked up were Thrillers, so while I don't read them as often as I used to anymore, they hold a special place in my heart. So when I heard about Caleb Roehrig's Last Seen Leaving and discovered it was not only a Thriller but a Thriller with queer representation, to say that I was psyched was an understatement.

I'm glad to report that now that I've read the book, it did not disappoint.

But before I go on! Here's the Goodreads summary:

"Flynn's girlfriend has disappeared. How can he uncover her secrets without revealing his own? 

Flynn's girlfriend, January, is missing. The cops are asking questions he can't answer, and her friends are telling stories that don't add up. All eyes are on Flynn—as January's boyfriend, he must know something. 

But Flynn has a secret of his own. And as he struggles to uncover the truth about January's disappearance, he must also face the truth about himself."

So the way Last Seen Leaving is set up, it reminded me a bit of Far From You by Tess Sharpe—another YA with major queer rep in which the protagonist is trying to solve the murder of her best friend. In Last Seen Leaving, however, what happened to January isn't immediately apparent. When the book starts, Flynn learns his girlfriend has disappeared—but did she run away? Did someone take her? Is she still alive? There are immediately a lot of questions, and worse, Flynn can't tell the whole story of the last time he saw her to the police and what they argued about without admitting his huge secret: he's gay.

As the story goes on, the questions build. January's unhappy (but luxurious) home life, the lies she told people about Flynn—and the lies she told Flynn about others—the connections to who she knew and when they last saw her, and through it all Flynn isn't sure who he can trust.

This book had me ripping through the pages to answer all those questions and more—I actually read the second half of the book in a day because I couldn't put it down. I also loved how much this book played with my expectations—even when I was specifically looking for red herrings I still didn't guess what or who was behind January's disappearance. My only super-minor gripe was there were words and phrases throughout that occasionally threw me out of the narrative because it didn't really sound teenager-y to me—but it certainly wasn't distracting enough to take away from the incredible plot and characters that had me exclaiming out loud as I read.

All in all, I definitely recommend this one, especially if you like YA Thrillers and/or enjoyed Far From You. This book and its twists and characters are going to stay with me for a long time.


Diversity note: The protagonist, Flynn, is gay (which is #ownvoices rep!). There's also a minor Japanese character, and the love interest is a gay, Muslim, POC boy.


Twitter-sized bites:

.@Ava_Jae gives 4.5/5 stars to LAST SEEN LEAVING by Caleb Roehrig. Is this FAR FROM YOU-esque YA on your TBR? (Click to tweet)  

Looking for a YA Thriller w/ twists, queer rep, and an addictive mystery? Try LAST SEEN LEAVING. (Click to tweet)

Book Review: TRUST ME, I'M LYING by Mary Elizabeth Summer

Photo credit: Goodreads

One of my favorite movies is Catch Me If You Can. Maybe because I just really love smart people, but the story of a con artist—especially a young one—was fascinating to me then and is now. So saying that, it's kind of a tragedy that it took me so long to get to Mary Elizabeth Summer's Trust Me, I'm Lying, which is, in fact, about the daughter of a con artist who has picked up the tools of the trade herself. 

Before I go into how much I enjoyed this book, here is the Goodreads summary:

"Julep Dupree tells lies. A lot of them. She’s a con artist, a master of disguise, and a sophomore at Chicago’s swanky St. Agatha High, where her father, an old-school grifter with a weakness for the ponies, sends her to so she can learn to mingle with the upper crust. For extra spending money Julep doesn’t rely on her dad—she runs petty scams for her classmates while dodging the dean of students and maintaining an A+ (okay, A-) average. 

But when she comes home one day to a ransacked apartment and her father gone, Julep’s carefully laid plans for an expenses-paid golden ticket to Yale start to unravel. Even with help from St. Agatha’s resident Prince Charming, Tyler Richland, and her loyal hacker sidekick, Sam, Julep struggles to trace her dad’s trail of clues through a maze of creepy stalkers, hit attempts, family secrets, and worse, the threat of foster care. With everything she has at stake, Julep’s in way over her head . . . but that’s not going to stop her from using every trick in the book to find her dad before his mark finds her. Because that would be criminal."

Trust Me, I'm Lying checked off all the things I could have wanted in a book about a con artist: smart protagonist who cleverly works through problems, high stakes, and immediate and pervasive conflict. Julep was a really fun protagonist to read about—she's witty, sharp, independent and determined. I loved seeing her work her way through the clues to find her dad while hiding her parentless status at school and trying to make ends meet. I was, however, a little disappointed that she was completely oblivious of Sam's crush on her (not really spoiler—it's obvious early on) because how did she not notice? But that wasn't a major issue and didn't lessen my enjoyment of the book.

And then the twists! There were quite a few that I honestly didn't see coming, and I loved how the book kept me guessing the whole time. What happened to Julep's dad? Who is coming after them? Who can she trust? Combined with Julep working her way through dangerous situations and the implied ticking clock of her missing father, I was engaged from beginning to end.

Overall I'm giving 4.5/5 stars, I've added the sequel, Trust Me, I'm Trouble to my TBR, and I recommend it for a fun, clever read.

Diversity note: There wasn't much, although Sam (Julep's best friend) is Black. I hear there's major bisexual rep in book two, however, so I'll definitely be checking that out. :)


Twitter-sized bites:

.@Ava_Jae gives 4.5/5 stars to Mary Elizabeth Summer's TRUST ME, I'M LYING. Is this smart con artist YA on your TBR? (Click to tweet) 

Like smart protagonists, clever plots, and lots of twists and turns? Check out TRUST ME, I'M LYING. (Click to tweet)

So You Want to Write YA Thrillers?

Photo credit: @lattefarsan on Flickr

So next up in the So You Want to Write series, a genre that I quite enjoy and am quickly realizing I don’t read nearly enough of: YA Thrillers.

What is it?

YA Thrillers are fast-paced stories, often (but not always) about either a protagonist who ends up in the sights of a killer or a protagonist who winds up on a dangerous revenge-spree. Either way, there’s bound to be a body count, a ton going on, very high stakes (usually the protagonist’s life) and lots of twists and turns that’ll keep you guessing.

Pros/Cons of Writing YA Thrillers:

Pros:

• Hasn’t had a major boom (but isn’t dead either). The lack of a major boom thing is actually a pro because it means it’s not oversaturated (or about to be oversaturated). It seems to be selling well enough, best I can tell, so the state of the publishing market shouldn’t be a deterrent. 


• Fast-paced and very twisty. If you like writing twists and quickly paced books, YA Thrillers may be the sweet spot for you. 


• High stakes. Personally, I’ve always found high stakes fun to write, and more times than not the protagonist’s life is on the line in YA Thrillers. So again, if that’s something you enjoy writing… :)

Cons:

• Complicated balance. A big part of Thrillers is to keep the reader guessing, which can often be tricky to write. How do you drop enough clues and red herrings for the ending to make sense without it being obvious? That’s a question you’ll have to navigate carefully as a YA Thriller writer. 

Recommended Reading:

As I have said before and will continue to do so: you must read the genre you write in. It is so important to keep up to date with what’s selling, what’s been written, what’s been overdone, etc. and the best way to do that is to read as much as possible.

Note: Aside from Far From You, I haven’t read any of the below, but they sound great. And they’re YA Thrillers, at any rate.

• Far From You by Tess Sharpe
• Killer Instinct by S.E. Green
• Damage Done by Amanda Panitch
• The Devil You Know by Trish Doller
• Suicide Notes from Beautiful Girls by Lynn Weingarten
• Delicate Monsters by Stephanie Kuehn
• From Where I Watch You by Shannon Grogan
• The Fixer by Jennifer Lynn Barnes
• All Fall Down by Ally Carter
• Get Even by Gretchen McNeil
• Endangered by Lamar Giles
• The Tenderness of Thieves by Donna Freitas
• I Am Her Revenge by Meredith Moore

Helpful Links:

• 8 Things You Need To Know When Writing Thrillers by Sarah Alderson on Writing Teen Novels
• What People Talk About When They Talk About Thrillers by Kathryn Burak on her blog. 
• What’s in a thriller? S.R. Johannes gives us her best tips. by Laura Pauling and S.R. Johannes on her blog.
• Tips For Writing Page-Turning Novels by April Henry on Writing Teen Novels

Do you enjoy reading or writing YA Thrillers? Share your experience! 

Twitter-sized bites: 

Thinking about writing YA Thrillers? Writer @Ava_Jae shares some tips, recommendations and more. (Click to tweet) 

Do you write YA Thrillers? Share your experience at @Ava_Jae’s So You Want to Write series. (Click to tweet)

Book Review: FAR FROM YOU by Tess Sharpe

Photo credit: Goodreads

So I’ve had Far From You by Tess Sharpe on my TBR list for a while, and Twitter’s been telling me pretty much forever to read it, so I was pretty delighted to finally have the chance to pick it up. And now that I’ve read it? I see why Twitter so adamantly demanded I take a look.

But before I go on, the Goodreads summary:

“Sophie Winters nearly died. Twice. 

The first time, she's fourteen, and escapes a near-fatal car accident with scars, a bum leg, and an addiction to Oxy that'll take years to kick.  

The second time, she's seventeen, and it's no accident. Sophie and her best friend Mina are confronted by a masked man in the woods. Sophie survives, but Mina is not so lucky. When the cops deem Mina's murder a drug deal gone wrong, casting partial blame on Sophie, no one will believe the truth: Sophie has been clean for months, and it was Mina who led her into the woods that night for a meeting shrouded in mystery. 

After a forced stint in rehab, Sophie returns home to a chilly new reality. Mina's brother won't speak to her, her parents fear she'll relapse, old friends have become enemies, and Sophie has to learn how to live without her other half. To make matters worse, no one is looking in the right places and Sophie must search for Mina's murderer on her own. But with every step, Sophie comes closer to revealing all: about herself, about Mina and about the secret they shared.”

Okay. So firstly, I really like thrillers, and I also really like when the protagonist is part of a marginalized group, especially if it’s one I can relate to like a character with chronic pain. And that’s initially what drew me to this book—because trying to find YA with characters who deal with chronic pain? Not so easy.

What I liked: Sophie deals with disability (among other things), including chronic pain that causes her to limp, and she still kicks ass. I want more of this. I want so much more.

Otherwise, Sophie’s chronic pain is very different from mine, largely because hers is caused by an old injury from a bad accident and mine comes from chronic illness—but of course that’s not at all a fault of the book. It just means I still haven’t found a YA with a depiction of chronic pain I can really relate to.

That said, what I really liked was there wasn’t a miracle cure. Not for Sophie’s injury, not for the chronic pain, and not for her addiction, or her trauma. Far From You does a really fantastic job not sugar-coating reality—it acknowledges that long after the book, Sophie will still have a limp, will still have to deal with a lot of trauma, and will always struggle with addiction. And for that alone, I’m giving Tess Sharpe a massive internet high-five.

AS FAR AS THE ACTUAL PLOT GOES, I really enjoyed this. The mystery surrounding Mina’s death was fascinating, and I love books that keep you guessing, like this one. I had a few theories about who was at fault, but the twist got me—that said, I sort of felt like I mostly didn’t guess because I’d pretty much forgotten some people existed. Maybe my fault. Maybe the book’s fault. Eh. Not a big deal. Overall, Far From You is an exciting book that’ll definitely keep you interested.

Finally, it was really great to see a YA protagonist who is explicitly bisexual, but whose sexuality isn’t necessarily the main focus of the book (though coming out books are definitely important, too).

Overall, I really enjoyed this one, and I definitely recommend it to those looking for a fun, twisty YA Thriller.

Diversity note: Sophie, the protagonist, has a limp from chronic pain caused by a car accident years prior, struggles with drug addiction (opiate painkillers), and is explicitly bisexual. Mina, her best friend/sort of girlfriend was not out, but she was lesbian.

Have you read any great YA lately? 

.@Ava_Jae gives 4/5 stars to FAR FROM YOU by Tess Sharpe. Have you read this twisty YA Thriller? (Click to tweet)  

Looking for an exciting YA Thriller w/ a disabled MC? Check out FAR FROM YOU by Tess Sharpe. (Click to tweet)

A Basic Genre Index (Part One)

I frequently talk about genre and category here, and I tend to speak about them in pretty offhanded terms, with the assumption that everyone knows what I’m talking about. I imagine many of you do, but I’m also aware that it’s very likely at least some people don’t. And many could probably use clarification with some labels anyway.

So! I thought I’d create what was supposed to be a mini index of the major genres. Except the post was getting way too long, so I split it into two. Enjoy part one!


Fantasy

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Magic, dragons, elves, wizards, witches, portals, fairies, mages—anything goes in a fantasy novel. These books are built off fantastical worlds where the impossible is impossible and where the mythical is reality.

Examples: A Game of Thrones by George R.R. Martin, The Lord of the Rings by J.R.R. Tolkien, Harry Potter by J.K. Rowling, Half Bad by Sally Green, The Witch Hunter by Virginia Boecker, The Queen of Tearling by Erika Johansen, Red Queen by Victoria Aveyard, Throne of Glass by Sarah J. Maas, Shadow and Bone by Leigh Bardugo, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore.

For more info on writing fantasy, check out this post. (Others)

Paranormal

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Technically this is a subgenera of fantasy, but it’s so big I thought it merited it’s own category. Paranormal books are a step closer to reality than epic fantasies, but they include supernatural creatures like angels, vampires, fairies, ghosts, werewolves, shapeshifters, etc. Think the TV show Supernatural.

Examples: Twilight by Stephanie Meyer, Ink by Amanda Sun, The Unbecoming of Mara Dyer by Michelle Hodkin, Shiver and The Raven Boys by Maggie Stiefvater, The Coldest Girl in Coldtown by Holly Black, The Diviners by Libba Bray, Paranormalcy by Kiersten White, Hush, Hush by Becca Fitzpatrick, The Immortal Rules by Julie Kagawa. (Others)

For more info on writing paranormal, check out this post. 

Science Fiction (Sci-Fi)

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Science Fiction is similar to fantasy in that the worlds and situations aren’t real (at the time they are written, at least), but the so-called “fantastical” elements are based in science, rather than magic. The idea here is the made-up stuff could be real, scientifically-speaking. It’s just not real right now.

Examples: Across the Universe by Beth Revis, Salvage by Alexandra Duncan, The 5th Wave by Rick Yancey, The Martian by Andy Weir, The Cage by Megan Shepherd, The Edge of Forever by Melissa E. Hurst, Cinder by Marissa Meyer, These Broken Stars by Amie Kaufman and Meagan Spooner, Alienated by Melissa Landers. (Others)

For more info on writing sci-fi, check out this post. 

Dystopia

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Dystopian novels are a subgenre of Sci-Fi, but as they’ve gotten pretty huge on their own, it felt important to list them separately. Dystopian novels frequently feature futuristic oppressive governments that are often overthrown at the end of the book. Expect speculative societies with extremely strict rules and characters who unwittingly find themselves at the center of a revolution (though that isn’t always the case).

Examples: Brave New World by Aldous Huxley, Divergent by Veronica Roth, The Hunger Games by Suzanne Collins, The Murder Complex by Lindsay Cummings, Under the Never Sky by Veronica Rossi, The Choosing by Rachelle Dekker, Red Rising by Pierce Brown, Ready Player One by Ernest Cline, The 100 by Kass Morgan, The Selection by Kiera Cass, Shatter Me by Tahereh Mafi, Legend by Marie Lu, Matched by Ally Condie. (Others)

For more info on writing dystopias, check out this post.

Horror

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These books are written to scare. Or at least creep you out a little. Monsters, murderers, paranormal situations out to get you—these characters usually go through horrifying situations that end in a lot of people dying in terrible ways.

Examples: Rot and Ruin by Jonathan Maberry, Follow You Home by Mark Edwards, Ten by Gretchen McNeil, Sweet by Emmy Laybourne, House by Ted Dekker and Frank Peretti, The Enemy by Charlie Higson, Anna Dressed in Blood by Kendare Blake, Feed by Mira Grant, World War Z by Max Brooks, anything written by Stephen King, The Silence of the Lambs by Thomas Harris. (Others)

Thriller

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Thrillers are similar to horror, but here, it tends to be about a killer going after people (rather than something supernatural). Sometimes the two blend a little, but these are exciting, fast-paced novels where the threat of death is a constant.

Examples: Hushed by Kelley York, Gone Girl by Gillian Flynn, Black Iris by Leah Raeder, Luckiest Girl Alive by Jessica Knoll, Thr3e and Adam by Ted Dekker, The Girl on the Train by Paula Hawkins, The Devil You Know by Trish Doller, Delicate Monsters by Stephanie Keuhn, The Rules by Nancy Holder and Debbie Viguié. (Others)

Humor

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These books are funny. The point is to tell a story that makes you laugh quite a bit. These are often written by celebrities, and when they’re not they tend to also cross into other genres. So yes.

Examples: Me Talk Pretty One Day by David Sedaris, Yes Please by Amy Poehler, Is Everyone Hanging Out Without Me? (And Other Concerns) by Mindy Kaling, Beauty Queens by Libba Bray, Me and Earl and the Dying Girl by Jesse Andrews, Denton’s Little Deathdate by Lance Rubin, Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened by Allie Brosh. (Others)

So that’s just the first part! I’ll finish part two for you guys shortly. :)

UPDATE (7/24/15): Part two is live!

Twitter-sized bite:

Do you find genres confusing? @Ava_Jae breaks down some of the most common genres in today's post. (Click to tweet)