A Basic Genre Index (Part One)

I frequently talk about genre and category here, and I tend to speak about them in pretty offhanded terms, with the assumption that everyone knows what I’m talking about. I imagine many of you do, but I’m also aware that it’s very likely at least some people don’t. And many could probably use clarification with some labels anyway.

So! I thought I’d create what was supposed to be a mini index of the major genres. Except the post was getting way too long, so I split it into two. Enjoy part one!


Fantasy

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Magic, dragons, elves, wizards, witches, portals, fairies, mages—anything goes in a fantasy novel. These books are built off fantastical worlds where the impossible is impossible and where the mythical is reality.

Examples: A Game of Thrones by George R.R. Martin, The Lord of the Rings by J.R.R. Tolkien, Harry Potter by J.K. Rowling, Half Bad by Sally Green, The Witch Hunter by Virginia Boecker, The Queen of Tearling by Erika Johansen, Red Queen by Victoria Aveyard, Throne of Glass by Sarah J. Maas, Shadow and Bone by Leigh Bardugo, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore.

For more info on writing fantasy, check out this post. (Others)

Paranormal

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Technically this is a subgenera of fantasy, but it’s so big I thought it merited it’s own category. Paranormal books are a step closer to reality than epic fantasies, but they include supernatural creatures like angels, vampires, fairies, ghosts, werewolves, shapeshifters, etc. Think the TV show Supernatural.

Examples: Twilight by Stephanie Meyer, Ink by Amanda Sun, The Unbecoming of Mara Dyer by Michelle Hodkin, Shiver and The Raven Boys by Maggie Stiefvater, The Coldest Girl in Coldtown by Holly Black, The Diviners by Libba Bray, Paranormalcy by Kiersten White, Hush, Hush by Becca Fitzpatrick, The Immortal Rules by Julie Kagawa. (Others)

For more info on writing paranormal, check out this post. 

Science Fiction (Sci-Fi)

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Science Fiction is similar to fantasy in that the worlds and situations aren’t real (at the time they are written, at least), but the so-called “fantastical” elements are based in science, rather than magic. The idea here is the made-up stuff could be real, scientifically-speaking. It’s just not real right now.

Examples: Across the Universe by Beth Revis, Salvage by Alexandra Duncan, The 5th Wave by Rick Yancey, The Martian by Andy Weir, The Cage by Megan Shepherd, The Edge of Forever by Melissa E. Hurst, Cinder by Marissa Meyer, These Broken Stars by Amie Kaufman and Meagan Spooner, Alienated by Melissa Landers. (Others)

For more info on writing sci-fi, check out this post. 

Dystopia

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Dystopian novels are a subgenre of Sci-Fi, but as they’ve gotten pretty huge on their own, it felt important to list them separately. Dystopian novels frequently feature futuristic oppressive governments that are often overthrown at the end of the book. Expect speculative societies with extremely strict rules and characters who unwittingly find themselves at the center of a revolution (though that isn’t always the case).

Examples: Brave New World by Aldous Huxley, Divergent by Veronica Roth, The Hunger Games by Suzanne Collins, The Murder Complex by Lindsay Cummings, Under the Never Sky by Veronica Rossi, The Choosing by Rachelle Dekker, Red Rising by Pierce Brown, Ready Player One by Ernest Cline, The 100 by Kass Morgan, The Selection by Kiera Cass, Shatter Me by Tahereh Mafi, Legend by Marie Lu, Matched by Ally Condie. (Others)

For more info on writing dystopias, check out this post.

Horror

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These books are written to scare. Or at least creep you out a little. Monsters, murderers, paranormal situations out to get you—these characters usually go through horrifying situations that end in a lot of people dying in terrible ways.

Examples: Rot and Ruin by Jonathan Maberry, Follow You Home by Mark Edwards, Ten by Gretchen McNeil, Sweet by Emmy Laybourne, House by Ted Dekker and Frank Peretti, The Enemy by Charlie Higson, Anna Dressed in Blood by Kendare Blake, Feed by Mira Grant, World War Z by Max Brooks, anything written by Stephen King, The Silence of the Lambs by Thomas Harris. (Others)

Thriller

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Thrillers are similar to horror, but here, it tends to be about a killer going after people (rather than something supernatural). Sometimes the two blend a little, but these are exciting, fast-paced novels where the threat of death is a constant.

Examples: Hushed by Kelley York, Gone Girl by Gillian Flynn, Black Iris by Leah Raeder, Luckiest Girl Alive by Jessica Knoll, Thr3e and Adam by Ted Dekker, The Girl on the Train by Paula Hawkins, The Devil You Know by Trish Doller, Delicate Monsters by Stephanie Keuhn, The Rules by Nancy Holder and Debbie Viguié. (Others)

Humor

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These books are funny. The point is to tell a story that makes you laugh quite a bit. These are often written by celebrities, and when they’re not they tend to also cross into other genres. So yes.

Examples: Me Talk Pretty One Day by David Sedaris, Yes Please by Amy Poehler, Is Everyone Hanging Out Without Me? (And Other Concerns) by Mindy Kaling, Beauty Queens by Libba Bray, Me and Earl and the Dying Girl by Jesse Andrews, Denton’s Little Deathdate by Lance Rubin, Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened by Allie Brosh. (Others)

So that’s just the first part! I’ll finish part two for you guys shortly. :)

UPDATE (7/24/15): Part two is live!

Twitter-sized bite:

Do you find genres confusing? @Ava_Jae breaks down some of the most common genres in today's post. (Click to tweet) 

So You Want to Write YA Paranormal?

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What is it? 

Angels, demons, fairies, occult, vampires, werewolves, witches, shapeshifters, grim reapers, ghosts and just about anything else that’s not quite human are all within the paranormal realm.

A few exceptions include aliens, which are Sci-Fi, and Greek gods, which tend to be viewed as mythology/fantasy. Oftentimes, there’s a romance involved (though that’s not mandatory) and there’s nearly always tons of action—which is part of the reason I love it so much. :)

Pros/Cons of Writing YA Paranormal: 

Pros: 

• Tons of variety. When most people think of paranormal, they tend to jump straight to vampires, but that’s just one option available in this huge world that is YA Paranormal. The list I had above include just some of the options available to paranormal writers—the possibilities really are endless. For example, one of my CPs wrote a pretty awesome YA Paranormal about Dreamcatchers who fight Nightmares, which is releasing later this year—like I said, there are loads of possibilities. 


• Everyday life with a (huge) twist. This is the other part of paranormal novels that I adore—more times than not, the books are set up so that it seems like our everyday world, except for this often hidden element of whatever flavor of paranormal the book has. Many paranormal books even operate under the assumption that the paranormal aspect is there, but most people don’t know about it, which I personally love, because it allows me to imagine that paranormal stuff operates IRL. 


• Exciting reads. Paranormal books tend to have pretty exciting plots, because the element that makes them paranormal also tends to be rather dangerous. If you like to write fast-paced novels, YA Paranormal definitely qualifies. 

Cons: 

• Very tough market. I’ve already written about dead genres here, so I won’t go into that again, but YA Paranormal is very much considered a dead genre. That doesn’t mean it’s impossible to sell or find representation for a YA Paranormal manuscript, but it’s definitely tough. If you have a great idea for a YA Paranormal manuscript, however, I don’t think this should deter you from writing it—it’s just good to be aware of the state of the market. 


• Some stigma. The whole Twilight effect is still in play with paranormal, so many people tend to automatically equate YA Paranormal with Twilight and make judgments. This is especially true if your book has vampires or werewolves (which is a shame, because there are plenty of awesome vampire novels out there). Again, this shouldn’t deter you if you’re passionate about YA Paranormal, but chances are you’ll encounter this when you tell people what you write. 

Recommended Reading: 

As I’ve said before, reading in the genre you’re writing is not optional. No really.

Note: While I haven’t read all of these, the ones I haven’t read I either want to read, have heard good things about, or were rating highly on Goodreads (or all three).

• The Coldest Girl in Coldtown by Holly Black
• Ink (Paper Gods trilogy) by Amanda Sun
• Hourglass (Hourglass trilogy) by Myra McEntire
• The Immortal Rules (Blood of Eden trilogy) by Julie Kagawa
• Daughter of Smoke & Bone (Daughter of Smoke & Bone trilogy) by Laini Taylor
• Pivot Point (Pivot Point series) by Kasie West
• Hush, Hush (Hush, Hush series) by Becca Fitzpatrick
• Unearthly (Unearthly series) by Cynthia Hand
• Let the Sky Fall (Sky Fall trilogy) by Shannon Messenger

For more books, Goodreads has a whole section dedicated to paranormal books, with breakdowns for each category (angels, ghosts, werewolves, etc.) and a list dedicated solely to YA Paranormal. 

Helpful Links: 

• YA Common Clichés series: Paranormal Romance by S.E. Sinkhorn at Maybe Genius
• Writing…How to Write Paranormal Romance—7 Tips to Remember by nighthag on Hubpages (Note: Some of the points only apply to paranormal romance, but it’s still worth a read).
• Writing Tips: Creating the Paranormal by Shannon A. Thompson on her blog. 

Do you enjoy reading or writing YA Paranormal? Share your experience! 

Twitter-sized bites: 

Thinking about writing YA Paranormal? Writer @Ava_Jae shares some tips, recommendations and more. (Click to tweet) 

Do you write YA Paranormal? Share your experience at @Ava_Jae's So You Want to Write series. (Click to tweet)