On Representation and Research

Photo credit: Steve Goodyear on Flickr
So I’m taking this Creative Writing class focused on the short story. Which has been interesting, because, as I’ve mentioned before, I don’t often write short stories. Anyway.

In this class, we critique each other’s work (I know, shocking, right?). And semi-recently, one of my classmates wrote a story focusing on a character with mental illness (OCD and possibly depression) and we had a class critique. 

And some of the suggestions for how the writer could make her mentally ill character more realistic? They made me cringe. Visibly. They were physically painful to my ears you guys, because they were so horrifically stereotypical. 

Not wanting to jump into full lecture mode in the middle of class, I nicely suggested the writer do research before adding anything in. A lot of research. 

I’m going to say here what I couldn’t really get into in class. 

I am of the firm belief that representation of all types of minorities in the media is incredibly important. And I totally 100% encourage writers to do their darndest to represent the world we live in, not the white-washed able-bodied neurotypical world so often portrayed in the media. 

But the thing is, there’s a right and wrong way to do representation, and trying to write a minority without doing tons of research is, quite frankly, disrespectful. And damaging. And painfully obvious.

Look, writing about any kind of minority group you’re not a part of (or hell, even one you are a part of) is scary. And it’s tough. And the thought that someone might read it and call you out on things you got wrong is terrifying. But you know what? People will call you out if it’s obvious you didn’t do your research, and they should. 

I don’t care what you’re writing about, but if you rely on stereotypes to inform your writing, not only are you doing it wrong, not only are you being lazy, but you’re damaging the community you’re attempting to represent. Perpetuating stereotypes is not something to take lightly. Ever. 

Now, don’t get me wrong. I’m not saying your representation has to be perfect in your first draft (I mean, is anything perfect in the first draft? Obviously not). I’m also not saying that you shouldn’t bother attempting to include diverse characters in your WIP, or that it’s impossible for writers to get it right. 

I’m not saying any of that. 

What I am saying is you need to do your research. And a hell of a lot of it. You need to do whatever you can to learn as much about that community as possible—learn about the pre-existing stereotypes, learn about the things the media often gets wrong, learn about the realities of whatever minority you’re writing about, and don’t stop. If possible, try to get feedback from the community—many writers do specific calls for certain types of beta readers to help with that exactly. 

Because the truth is whatever community you’re trying to represent wants you to get it right. We all do. But you need to put the work in, and you need to be respectful, and you need to understand that your perspective on that community may not be entirely accurate. You also need to understand that even after all that research and even with your best intentions, you might still get things wrong. 

But most of all, don’t for a second think you can accurately portray any sort of minority without doing a ton of research. It’s not a step you can skip. The stakes are just too high. 

Have you ever written diverse characters into your WIPs? What suggestions or tips do you have? 

Twitter-sized bites: 
.@Ava_Jae says you can't "accurately portray any sort of minority without doing a ton of research." Thoughts?  (Click to tweet)  
Writer @Ava_Jae says there's a right and wrong way to represent minorities in your writing. What do you think? (Click to tweet)  
When diversifying your writing, "perpetuating stereotypes is not something to take lightly. Ever." (Click to tweet)

AMAZING NEWS

You guys.

You guys!

YOU GUYS!

LOOK.







Okay, it's kind of cut off so in case you can't read it, it saysss...

"Ava Jae's debut BEYOND THE RED, in which a feud on a distant, crimson planet with established nanite technology creates a violent uprising that threatens the reign of a teenage queen and forces her to turn to her rebel half-blood bodyguard for help, before the planet's human population is destroyed at the hands of her power-hungry twin brother, to Nicole Frail at Sky Pony Press, in a nice deal, for publication in early 2016, by Louise Fury at The Bent Agency in association with Rachel Brooks of the L. Perkins Agency (World)." 

AHHH!

I don’t really even know what to say besides


and


and also a whole lotta


My book is going to be a thing! That you can all read! In early 2016! I’m going to be a published author! AHHHH!

It’s so crazy to me that in a little over a year, I’ll be able to hold my book. In my hand. And you guys can read it. AND IT'LL BE IN HARDCOVER. (*SQUEEE*)

You can also add it to your Goodreads shelf HERE. (I can't believe I can actually say that. WHAT IS THIS LIFE?).


SO. MUCH. EXCITEMENT.

I will probably at some point write a more coherent post about this, but in the meantime I want to thank my incredible agent Louise Fury, and Team Fury and Rachel Brooks who all put so much time and amazing hard work into making this book amazing and believing in it, and selling it and I just—GROUP HUG, OKAY GUYS?

Also my CPs.

Also you guys.

Also just the whole incredibly amazing writing community who are my favorite online community ever.

THANK YOU.

The Ups and Downs of Writing

Photo credit: NormLanier on Flickr
So I’m in the middle of revision mode right now, working on a MS that I was about 95% sure I’d trunk and never look at again after I finished the first draft.

And. Well. I was wrong. Clearly.

Writing is an emotional, internal, weird thing. It tricks our brains into thinking we’re literary geniuses one day (or at least plot geniuses, or character geniuses, or otherwise this manuscript is the best thing ever geniuses), then has us pounding our faces on the keyboard the next, ready to toss every word we’ve ever written ever in the trash. Sometimes that cycle happens several times in a week. Or day, really. It happens pretty darn often.

And you know? It’s hard. It’s really legitimately tough to have confidence in your work and yourself one minute, and deal with crushing, joy-sucking doubt the next. It’s hard to call yourself a writer when you look at your work and wonder what the hell you’re thinking writing this nonsense.

It’s also totally 150% normal.

There are so many ups and downs to the writing life even before you attempt to get published (and after? Ha. Don’t even get me started).

But here’s the thing: writers of all stages, from brand new to published several times over all go through this. I’m not entirely sure why (though I’m guessing there’s some psychological explanation for it), though my guess is it has something to do with the fact that we writers tend to be internal types, and writing sort of forces us to be super internally focused, and the whole writing thing is super subjective and to be honest, the thought of showing people your writing can be kind of terrifying sometimes. Especially because those nagging doubts like to start making themselves known right about the time you hit send.

So.

But there is good news to all this, namely that it really truly is completely normal, and just about every writer will, at some point, experience it (probably many times over). Which is good because when you experience it, you can know you’re really truly and honestly not alone.

Know the feeling won’t last.

Know other writers understand.

Know that this writing thing is hard, but what you’re doing? It’s fantastic and amazing and so very awesome. So go you.

Have you experienced the emotional ups and downs of writing? What do you do to help overcome it? 

Twitter-sized bites: 
Writer @Ava_Jae blogs about the emotional ups and downs of writing. What do you think? (Click to tweet)  
Writer @Ava_Jae says it's normal to doubt your writing ability one day and love your WIP the next. What do you think? (Click to tweet)

Vlog: Do You Like Book to Screen Adaptations?

People have mixed feelings about when books and movies collide. These are my thoughts—what are yours?


Do you like book to screen adaptations? 

Twitter-sized bite: 
Writer @Ava_Jae vlogs her thoughts on book to screen adaptations. What do you think? (Click to tweet)

How to Write Effective Betrayal

Photo credit: kukkurovaca on Flickr
Betrayal has been a relatively common theme in writing basically from the very beginning. From the Trojan Horse in The Iliad, to Judas in The Bible, to Shakespeare’s et tu, Brute? and more, betrayal is no stranger to fiction.

Writing betrayal effectively, however, isn’t always as easy as it sounds.

I’ve found there are two major components to keep in mind when writing a betrayal:

  1. Set up. A key component to effective betrayal is a set up that makes sense without being obvious. This is a tricky balance to achieve—on one hand, you don’t want your readers to be able to guess that a character is going to turn out to be a traitor, but on the other hand, if it comes too out of the blue, your readers won’t believe it and will accuse you of cheating. And rightfully so.

    Sometimes this requires some reworking after the first draft has been written, which is totally okay. And many times it takes several rounds back and forth with CPs and betas to get the balance right, which is also okay. But do make sure you take the time to get this balance down. 

  2. Emotional involvement. If the traitor isn’t someone your protagonist cares about, then the betrayal isn’t really that powerful of a betrayal. The closer the traitor is to your protagonist, the more it hurts, which is something you definitely want to go for when writing betrayal. After all, if the betrayal doesn’t upset your protagonist, your readers aren’t really going to care, either. 

As I can’t really give examples of effective betrayals without totally spoiling major plot points, I won’t name any names, however a great way to learn about how to craft an effective betrayal (or, in some cases, how not to do it) is to read books with betrayals in them. So make sure you take some time to catch up on that TBR list.

So those are just a couple things to keep in mind when writing betrayals, but now I want to hear from you: what tips do you have for writing effective betrayals?

Twitter-sized bites:
Do you have a betrayal in your WIP? Writer @Ava_Jae shares some tips to help you get it right. (Click to tweet)  
Et tu, Brute? Writer @Ava_Jae shares two key components to writing an effective betrayal. (Click to tweet)

NaNoWriMo Round-Up

Photo credit: mpclemens on Flickr
It’s October! Which means it’s NaNoPrepMo! Which means it’s that time of year when I remind you guys about the wonders of NaNoWriMo and encourage you to participate in it’s awesomeness. 

The thing is, I’ve written about NaNoWriMo a lot and I don’t really want to rehash absolutely everything, so instead I’m doing a round-up post of all things NaNoWriMo. Ready? Okay.

For those who haven’t decided on whether or not they want to NaNo, I have a post for you. For those who don’t click, I will say that I participated the last two years and totally loved it. I’ve written three manuscripts (or a good chunk of it at least) in NaNo-like settings (two November NaNoWriMos and one Camp NaNo), and the community and excitement and pretty graphs all make me very sad that I probably won’t be participating this year because I’m in crazy revision mode and will be for probably the rest of the year. So.

(But if you are not in crazy revision mode, I super recommend you consider NaNoing! Because it’s fun. And you’ll have a shiny new WIP (or part of one) at the end of it.)

Because it’s October and NaNoPrepMo, you will very possibly find this post on Pre-NaNoWriMo Tips helpful! Because prepping for NaNo, I’ve found, makes the whole NaNoing experience much easier.

To contrast two very different NaNo experiences, the first time I NaNoed, I made NaNoWriMo super difficult for myself by abandoning my first NaNo project on day fourteen and scrapping 24,000 words to start something new. (Yep). Then last year I went a little type-crazy and finished in nine days. Still not totally sure how that happened. Ehem.

I’ve also shared ten foolproof secrets to winning NaNoWriMo (which are actually not foolproof and please don’t do those things mmkay?).

And finally a compilation of helpful NaNoWriMo links that I shared on the first day of NaNoWriMo last year but I’ll give to you early! Because I’m nice like that. And pretty links.

If you have any helpful links for future NaNo-ers, share them below! And also, will you be participating in NaNoWriMo this year? 

Twitter-sized bites: 
Thinking about doing NaNoWriMo this year? Writer @Ava_Jae shares helpful links for all of your NaNoing needs. (Click to tweet
Participating in NaNoWriMo this year? Writer @Ava_Jae shares many NaNo-related links & tips for you. (Click to tweet)

Discussion: Are You a Book Collector?

Photo credit: lifeisfoo on Flickr
Bit of shocking news for all of you today: I love books. I know, unbelievable, right? I wouldn’t have guessed, either. 

Ehem. 

I’ve sort of mentioned this before, but I’m a little weird about my book-buying habits. Why? Because about 97% of the time when I decide I want to read a book, it means I’ve also decided I want to buy it. This applies even to authors whose books I’ve never read before. 

The thing is, I don’t just love books, I love collecting books. My pretty bookshelves are basically my favorite thing and I never tire of adding a book to my shelf after I’ve read it (fun quirk: I won’t place a book in it’s alphabetical spot until after I’ve read it). 

I’m also kind of anal about the format, though. 

If I buy the first book in a series in hardcover, then I’ll buy the rest of the books in hardcover as well. Same goes for paperback. Or e-book. This sometimes means that I have to wait extra long to buy a book because the paperback doesn’t come out until well after the hardback (*cough* City of Heavenly Fire *cough), but even if it’s many many months away…I wait. Because there’s something about having all the books in a series in the same format that, I don’t know? It’s a quirk. It looks pretty. Sorry not sorry. 

Talking about book quirks is fun, so I want to hear from you guys: do you collect books? And/or do you have any book-related quirks? 

Twitter-sized bite: 
Writer @Ava_Jae shares some of her book buying quirks. Do you have any book-related quirks? Join the discussion: (Click to tweet)
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