"Characterization is an accident that flows out of action and dialogue." —Jack Woodford
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| Photo credit: pheezy on Flickr |
It's often said that poorly written dialogue
is one of the first signs of a new writer —whether it's an error in the way
it's punctuated, an abundance of non-said dialogue tags or clunky, unrealistic
speech, dialogue can make or break your writing.
This post is assuming that you've already
perfected the grammatically correct way to punctuate your character speech and
your characters are speaking naturally, rather than sounding like they're
reading off lines from a script. You see, even after you've mastered the basics
of dialogue writing, there are still many more aspects to look at when writing
or revising character speech.
One of the most important things you can do
when looking over your novel's dialogue is determining its purpose.
In our everyday lives, people blabber on for
no particular reason. We talk about the random and the ridiculous with little
direction, we go off on long-winded, completely unrelated tangents and some of
us are even guilty of talking for the sake of talking. In real life, those
things happen.
In your books, those things must never happen.
Menial how's the weather conversations are
perfectly acceptable in the work place or at the dinner table, but the moment
your characters start talking about the beautiful sunny day outside or the
delicious breakfast they had, red flags and buzzers should be going off in your
mind.
I'm sure most of you have heard the Alfred
Hitchcock quote: "Drama is life with the dull parts taken out." The
axiom doesn't only apply to drama and plot, however, it also applies to
dialogue.
One of the best writing tips I've ever read on
the subject is this: character speech is an action. Our characters' every
action must have a purpose, and that includes every line of dialogue they speak
throughout the course of the novel.
So what does that mean?
Next time you're revising your writing, take a
close look at the dialogue. With every line that comes from your character's
mouth, ask yourself if what they said was necessary. What would happen if you
removed that line? Would the conversation still be understandable? Would it
miss anything? Chances are if the scene can go on without repercussions after
removing the line, you probably don't need it.
But how can you tell if the dialogue is necessary?
Dialogue must accomplish one of two things: 1)
move the plot forward or 2) develop character. If your dialogue isn't doing
either, it's time to either cut it or rewrite it with one of those goals (or
even better—both) in mind.
Well-written dialogue moves smoothly, develops
character and leads the reader forward through the plot. What are you
accomplishing with your dialogue?
